Methyl-cellulose & Wheat-paste - Methyl-cellulose is a water-based adhesive made from cellulose (a natural substance found in plant cell walls). It’s often used in art conservation and framing because it’s strong, reversible, and doesn't damage delicate materials. Wheat paste is a simple, traditional adhesive made by cooking wheat flour with water to create a paste-like substance. It has been used for centuries in art, bookbinding, and crafting. Methyl-Cellulose is a more refined, synthetic product and often preferred in more specialised or professional applications, like art framing & conservation. Wheat Paste is more of a traditional adhesive that’s made from natural ingredients and can be easily made.

Archival - All materials and methods are selected to ensure the framing preserves and protects the artworks over time. All materials are acid-free (ph-neutral/balanced) and used to resist yellowing, fading, acid browning (ageing) to prevent degrading so that artworks remain in excellent condition overtime.

Conservation framing - Conservation (Level 2) framing requires that all processes impacting the artwork during framing be fully reversible. In other words, anything you have framed to Level 2 can be returned to its former state, i.e. prior to framing, at any time up to 20 years, assuming that the artwork is not inherently unstable.

Museum framing - Museum (Level 1) framing will give the best possible protection for your artwork. By using the highest quality materials available and the best techniques, the framer can give your work protection from physical and mechanical damage,  airborne pollution and acids generated by many framing materials. Level 1 framing should be good for at least 35 years in normal conditions.